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Nutrition for Growth Summit. Global Forum for Inclusive Trade , Trade. Trade as a Catalyst for Development: Osogbo is now unique in having a large component of 20th century sculpture created to reinforce the links between people and the Yoruba pantheon, and the way in which Yoruba towns linked their establishment and growth to the spirits of the forest. The restoration of the grove by artists has given the grove a new importance: The Grove is an active religious site where daily, weekly and monthly worship takes place. In addition, an annual processional festival to re-establish the mystic bonds between the goddess and the people of the town occurs every year over twelve days in July and August and thus sustains the living cultural traditions of the Yoruba people.
The Grove is also a natural herbal pharmacy containing over species of plants, some endemic, of which more than species are known for their medicinal uses.
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The development of the Movement of New Sacred Artists and the absorption of Suzanne Wenger, an Austrian artist, into the Yoruba community have proved to be a fertile exchange of ideas that revived the sacred Osun Grove. The Osun Sacred Grove is the largest and perhaps the only remaining example of a once widespread phenomenon that used to characterise every Yoruba settlement.
It now represents Yoruba sacred Groves and their reflection of Yoruba cosmology. The Osun Grove is a tangible expression of Yoruba divinatory and cosmological systems; its annual festival is a living thriving and evolving response to Yoruba beliefs in the bond between people, their ruler and the Osun goddess. The property encompasses almost the whole of the sacred grove and certainly all that has been restored over the forty years before inscription. Some of the recent sculptures are vulnerable to lack of regular maintenance which given their materials — cement, iron and mud — could lead to potentially difficult and expensive conservation problems.
The Grove is also vulnerable to over-visiting and visitor pressure that could erode the equilibrium between the natural aspects and people necessary to sustain the spiritual qualities of the site. The authenticity of the Grove is related to its value as a sacred place.
The sacred nature of places can only be continually reinforced if that sacredness is widely respected. Over the past forty years the new sculptures in the Grove have had the effect of reinforcing the special qualities of the Grove and giving it back its spiritual qualities that imbue it with high cultural value. At the same time the new sculptures are part of a long and continuing tradition of sculptures created to reflect Yoruba cosmology.
Although their form reflects a new stylistic departure, the works were not created to glorify the artists but rather through their giant size and intimidating shapes to re-establish the sacredness of the Grove. The new sculptures have achieved their purpose and the Grove now has wider than local significance as a sacred place for the Yoruba people. The Grove was first declared a National Monument in This original designation was amended and expanded in to protect the entire 75 hectares.
The Grove had a well-developed management plan covering the period — that was adopted by all stakeholders and the site enjoys a participatory management system. The Federal Government administers the site through a site manager of the National Commission for Museums and Monument as empowered by Decree 77 of Osun State Government equally contributes to its protection and management through its respective Local Governments, Ministries and Parastatals, who are also empowered by the state edicts to manage state monuments.
There are traditional activities that have been used to protect the site from any form of threats such as traditional laws, myths, taboos and customs that forbid people from fishing, hunting, poaching, felling of trees and farming. The traditional worshippers and devotees maintain the intangible heritage through spiritualism, worship and symbolism.
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There is a management committee made up of all cadres of stakeholders, that implements policies, actions and activities for the sustainable development of the site. The annual Osun Osogbo festival will need to be better managed so that the site will no longer suffer from adverse impacts of tourism during the festival. The Grove will also serve as a model of African heritage that preserves the tangible and intangible values of the Osogbo people in particular, and the entire Yoruba people.
As a source of pride to them, the Grove will remain a living thriving heritage that has traditional landmarks and a veritable means of transfer of traditional religion, and indigenous knowledge systems, to African people in the Diaspora.